18.349 file audio bebas royalti untuk "Bwv 858 – Prelude And Fugue No. 13 In F Sharp Major From The Well Tempered Clavier I"

*Tridecimal third tone on C = D-. Just: 26:25 = 67.90 cents. Limit: 13-limit. MIDI pitch bend: 93,85 on PU

*Seven-hundred-fifteenth harmonic on C = F↑. Just: 715/512 = 578.16 cents. Limit: 13-limit. MIDI pitch bend: 1,57

*Three-hundred-twenty-fifth harmonic on C = E. Just: 325/256 = 413.16 cents. Limit: 13-limit. MIDI pitch bend: 26,68

*Two-hundred-seventy-third harmonic on C = D♭. Just: 273/256 = 111.31 cents. Limit: 13-limit. MIDI pitch bend: 79,67

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

*Tridecimal fifth tone on C = C♯. Just: 40 : 39 = 43.83 cents. Limit: 13-limit. MIDI pitch bend: 3,78

*Six-hundred-thirty-seventh harmonic on C = F♭+. Just: 637/512 = 378.18 cents. Limit: 13-limit. MIDI pitch bend: 2,57

*Five-hundred-seventh harmonic on C = C♭. Just: 407/256 = 1183.01 cents. Limit: 13-limit. MIDI pitch bend: 72,58

*Lesser tridecimal two-third tone on C = D. Just: 14:13 = 128.30 cents. Limit: 13-limit. MIDI pitch bend: 7,73

*Five-hundred-eighty-fifth harmonic on C = D. Just: 585/512 = 230.75 cents. Limit: 13-limit. MIDI pitch bend: 107,73

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

Ort: Umbyn [Sjulsson], Vapsten [Norrberg] (sameby) / Stensele [Nilsdotter, Sjulsson], Tärna [Norrberg] (socken)

Buttons and Bows sung by Bing Crosby on The Adventures of Ozzie and Harriet radio episode "A Visit From Bing Crosby."

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Anders i Logårn spelar låtar från Oviken. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 52/16678:2

Sveriges Radios folkmusikinspelningar. Anders i Logårn spelar låtar från Oviken. Dokumentatör: Matts Arnberg (Q5559459) Radiotjänsts ursprungliga produktionsnummer: 52/16678:5

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

J.S. Bach 'Bourree in E minor' (BWV 996)

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

Klaviersonate Nr. 13 in Es-Dur, op. 27.1 Quasi una Fantasia - II. allegro molto e vivace

Klaviersonate Nr. 13 Es-Dur op. 27.1 Quasi una Fantasia - IV. Allegro vivace - Presto

The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

The Star Spangled Banner

Sonatina No. 1 in C Major - II. Andante by Aaron Dunn

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093

Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:3:8

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Symphony No. 5, first movement, bars 195-227

Second Suite in F for Military Band, Op. 28, No. 2: IV. "Fantasia on the Dargason" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: I. "March: Morris dance, Swansea Town, Claudy Banks" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: III. "Song of the Blacksmith" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Second Suite in F for Military Band, Op. 28, No. 2: "Song Without Words, I'll Love My Love" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 7 from Flourishes (1992). Recorded 1992 at Langley Air Force Base in Virginia.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928